I finished 200 hours on GR07.
I don't trust my audio memory one bit. So, instead of writing 'notes', I wrote them on TE. So unlike public figures who often claim that they are 'misquoted' by the press to cover up, I have nowhere to run.
My first out of the box impressions are
here and
here. These are basically background listening. I mentioned the mids were smooth, not bringing out the micro-details, treble lacked sparkle and sibilance was not there.
Next, I posted my 50 hour burn-in impressions in the first post of this thread. The mids were more open, details were well present, treble had sparkle and sibilance was annoying.
Next, I listened at the 115 hour mark. I posted
this on head-fi and compared to DBA-02 in Post #17 of this thread. Sibilance was still present.
Once again, I did a straight 85 hour outside the ear burn-in. I did not listen in between, except for a very brief two song check for sibilance around the 140 hour mark. Yes! I heard sibilance and let it continue.
Strangely, it does not seem as sibilant today. Checked Diana Krall's "
'S Wonderful", one of the tracks sibilant IEMs have affinity to - no sibilance at all. Just to ensure that I am not imagining things, I A/B/A-ed against M3, one IEM I am sure is not sibilant. Next up was Opeth's cover of "Solider of Fortune" from "Ghost Reveries". This is one track on which Hippo VB cut me with it's trained sibilant samurai sword. Again, not much. Checked with M3 - very, very similar. Unless it had to do some alteration to the recording, can't get any better. Next was Gojira's "Backbone" from the album "From Mars to Sirius". Here, M3 did a tad better than GR07. Just a tad, but that is due to the overall smooth, lush M3 being up against a revealing GR07.
I guess I will write a full review after all.