There has been a lot of hype about James Cameron's Avatar, and I am one of the many excited people looking forward to seeing this movie.
I have been reading up on it lately and as usual there is enough discordant points of view to confuse me. There are comments and articles that say it is everything from revolutionary to revelationary, but everyone seems to agree that in some way it will change the face of CGI as we are familiar with it.
Here are two points of view and their sources, see for your self and make up your own minds and feel free to tell us all what you think in the poll too.
I have been reading up on it lately and as usual there is enough discordant points of view to confuse me. There are comments and articles that say it is everything from revolutionary to revelationary, but everyone seems to agree that in some way it will change the face of CGI as we are familiar with it.

Here are two points of view and their sources, see for your self and make up your own minds and feel free to tell us all what you think in the poll too.

Another Point of ViewBy now we would expect that if you’re a savvy lover of movies who browses through the halls of the interwebs, you’ve seen that James Cameron showed up in San Diego a little while ago to treat Comic-Con attendees to 24-minutes of footage from his upcoming opus Avatar, a film that brings with it the promise of taking 3D cinema to the next level. And while we didn’t have anyone in Hall H at the time due to some unforeseen circumstances, we did want to bring you some additional details and reactions from our friends and neighbors around the movie blogosphere.
To kick things off, here are some facts that we’ve gleaned from the various reports around the web:
- Cameron showed off 24-minutes of footage, 6 scenes in all.
- The story revolves around a precious resource that exists on the planet Pandora, which cannot be mined by humans due to the native inhabitants (the Na’vi) and dangerous landscape of the planet.
- The audience got looks at the Na’vi, as well as human-created Na’vi that are piloted by soldiers in an attempt to infiltrate the Na’vi civilization.
- The audience also got a few immersive looks at the world of Pandora, which has a luminescent quality to it, the dense jungle actually lighting up the planet.
- Audiences around the world will be treated to 15-minutes of footage on August 21st in important IMAX theaters, for free.
And now on to some of the reactions. First of all, it seems clear that James Cameron’s film is heavy on aesthetic innovations, with many attending journos citing the brilliant look of Pandora and the 3D. According to Garth Franklin at Dark Horizons, it “looks like one of the most ambitious projects ever made, and certainly in terms of CG photo realism no other film comes close thus far.†He also went on to say what this writer was specifically looking to hear, that Cameron’s use of CG is more than just a gimmick. “The 3D itself is utilized EXACTLY what the technology should be – never drawing attention to itself, immersing you in the world rather than distracting you with gimmicks,†he explains. “Can’t really recall one moment where someone throws or points something outward to deliberately show off that you’re watching 3D in action.
Avatar-MarketStreetV3But ambitious as the project may seem, there are still a few skeptics out there. Devin Faraci from CHUD applauded the advanced look of the film, but also shows some hesitation in calling it anything close to ‘revolutionary’. Faraci calls it an “evolutionary jump, not a revolutionary one.†He also noted the very-CGI look of Pandora, which sounds like it is in contrast to the detail seen in the faces of the Na’vi. “Avatar looks like a very advanced CGI toon,†he writes. “When CGI Navi are interacting with CGI monsters in CGI landscapes, it all looks very CGI. This is, frankly, not photoreal.â€
Others are more hyperbolic, including Total Film’s commentary that calls Avatar “Too real to be animation, never exactly docu-style, Cameron’s film is unquestionably something entirely new.â€
The rest of the article
James Cameron captained the biggest box-office smash of all time, his Titanic having grossed nearly $2 billion worldwide. But that was 12 years ago, long before the recession appeared on anyone's radar. Now, even Hollywood is feeling the pinch. Last Friday, hoping for another Titanic-size hit, 20th Century Fox took the unprecedented step of screening 16 minutes of Cameron's latest, the science-fiction epic Avatar, for those who scored free tickets on the Web. But will this odd strategy — luring sci-fi fans out of their basements once for a peak at what Fox hopes will be a longer, second engagement on December 18, the film's release date — make for smooth sailing?
"Avatar Day," which studio flacks hyperbolically described as a "global, history-making event," kicked off with the unveiling of the film's two-minute-long trailer (in both cinemas and on the Web) and culminated with evening showcases of the extended footage in IMAX 3-D theaters worldwide. History's not always kind, however. Within minutes of the trailer's online debut, frantic fanboy cries of "That's it?" were clogging message boards — quite an unexpected change from last month, when "King of the World" Cameron personally presented 24 minutes to an enthusiastic Comic-Con crowd in San Diego.
Locally, the college-aged viewers who filled the AMC/Loews Boston Common to capacity for the 12:01 am premiere of Quentin Tarantino's Inglourious Basterds were unmoved by this two-minute peek. Appearing as it did immediately after a teaser for Christopher Nolan's Inception didn't help. While The Dark Knight (the second-largest domestic moneymaker behind Titanic) auteur's name alone elicits rapturous applause, the words "from the director of Titanic" do not appear to resonate with this coveted demographic. The Avatar clip, which begins with futuristic military action involving marines in mech suits battling on the distant moon of Pandora, contained a single line of dialogue delivered by the cartoonishly CGI, 10-foot-tall title character: "This is great!" Based on their stone-faced silence, the audience didn't seem to agree.
The problem is, while Cameron created much of the aesthetic of modern sci-fi, his "game-changing" work here lacks wonder (at least from what he's revealed) and, ironically, appears derivative of the very properties he's inspired, from Halo to District 9.
Later in the day, I saw the extended 16-minute preview at the Jordan's Furniture IMAX in Reading in 3-D, which seemed slightly off-register at times, a quality that actually added to the artificiality of the images. The Zach Snyder–ish slow-down/speed-up style that Cameron has adopted disappoints, as do the lackluster designs of the "Na'vi," the blue-skinned creatures that I presume will occupy much of the film's running time and romantic subplot.
Fox should have been preaching to the choir here, but the pittance of polite applause that concluded each "sold-out" screening (empty seats remained) wasn't what I'd call "history-making."
Iceberg . . . dead ahead?
The source