Please Recommend an IEM [Meelec M9 User]

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kidrow

Herald
Hi all,

My Meelectronics M9 is on its way out. It got knocked around a bit, & suddenly the bass has gone muddy & there's a bit of distortion on the treble side of things. So it's time for a replacement.

The 1st 'propah' earphones I ever owned was the SM PL11. At the time, it was the best ever. I next got the Meelec M9, which was a huge step up imo. So for the next pair, I'm looking at the M9 as the benchmark for the sound.

My budget is about -
a. Rs. 600-700. I'd purchased the PL11 & the M9 at about that price. The latter was bought from Amazon US then & brought across by a friend. This is not really an option now.
b. While I'd like to keep the expenses to a minimum, if there's nothing in the Rs. 600-700 price range which is comparable to the M9, I can up it to about Rs. 1000-1500.

As for the source, I'll be using my mobile phone, a Nokia XpressMusic 5130c-2. The music I listen to is mainly hard rock & metal.

I use the earphones for the daily commute in the Mumbai BEST buses. So noise isolation is important, & I find the M9 fairly satisfactory in this regard. [I don't really think there can be any IEMs which can tackle the drone of the BEST buses though.]

Thanks for your time. Much appreciated.
 
Purchasing in INR one does not have options these days.For an upgrade or even a trade in you need to up your budget by 1-2k.
Check out M2,E30
 
Purchasing in INR one does not have options these days.For an upgrade or even a trade in you need to up your budget by 1-2k.
Check out M2,E30

Thanks for the reply. I believe you're referring to the Brainwavz M2 & SM E30, both of which are 2.2k+, i think. I ain't really prepared to spend that kind of cash on IEMs right now. Also, would having a source like the Nokia Xpress 5130c do justice to these?

From what I gather, I've got these options in my range-
1. JVC Marsmallows/SM ES18 - ~600-700inr
2. SM PL21 - ~800inr
3. Meelec M21 - ~1400inr
4. SM e10/PL30 - ~2000inr - But that's really stretching it!

So how do the above compare? With each other as well as the M9?

I would probably be ok with spending upto 1500inr, if there's nothing cheaper that is comparable to the M9.

Again, thanks for your time. Much appreciated!
 
No! M1 is 2.2K, M2 is around 3.5K now.

I have not heard the M9, only the M6. I won't even pretend that I remember the nuances of it's signature very well. So, FWIW going by Joker's reviews.....

M21 would be a minor step-up from M9. You will lose emphasis in both bass and treble, getting a more balanced, relatively smoother sound in return. If the V-shape and the sound stage is what you like about M9, then M21 may not work out for you.

ES18 would be entirely different - everything would be too forward with loss in treble compared to the emphasized M9. Bass quantity, I'd guess won't be as hard hitting. Mid range would be the main difference - positioning would be like something from the end of the hall to the front of the stage. It would also have an overall thicker sound.

PL21, I think is something like a less bassy, slightly more clearer version of PL11. I have not heard it though.

PL30 is very bass light, especially when coming from a M9. The sound stage would probably be wider, but not as deeper - a feeling created by the sucked out mid range of M9/M6. It is more on the side of balanced.

E10, I suppose can be considered as a step-up. It has good bass quantity, decent sized sound stage, better sense of space. I am not sure about the bass quantity, but mid range placement may be just a tad forward compared to M9, but not alarmingly forward like ES18. Treble is not emphasized like M6/M9, but it is good in the price range. Of all that you mentioned, I am thinking that E10 is probably the better choice.
 
Hi & thanks for the extremely detailed reply! I've spent quite some time reading up on reviews, impressions etc. , both your own & of those on head-fi. Though I don't really get what is meant by the terminology - recessed, warm, bright, roll off, positioning, V curve etc. , I think I can gauge what is meant overall.

The broad conclusion is that the ES18 delivers a lot more than what the price tag suggests as far as SQ goes. But it probably lacks the detail of a e10/e30. I say 'probably' because some users have commented that the ES18 is nearly the same as the E10, albeit in a cheaper housing. So how much of a difference is there really? I've read your comparisons, but is the difference in SQ enough to justify the 4x price tag in your opinion?

Wrt the M21, while it may not be as bassy as M9, it's much more balanced comparatively. ClieOS over at head-fi has still classed them as bassy, while Joker also comments that the bass is above the baseline. So it seems that it has enough bass. My question is, by terming the mids forward, is it correct to imply that the vocals & guitar will be more prominent when compared to the M9? That's what I gauged from one review on head-fi by someone who's owned both the M9 & M11.

Coming to the E30, there have been exceedingly +ve reviews all round. Compared to the ES18 & M21, is it a significant jump in SQ? I realize it's a different sound signature, being classed as warm & sweet by ClieOS. But I'm ok with that if it makes me feel "I never thought that even existed on that track!" Also, can it be worn straight down? I haven't tried any which are over the ear, & hence I'm not sure about the comfort.

The ES18=650; M21=1400; E30=1800; E10m=2000 - So in this context, should I skip the M21 altogether (i.e. if you're spending 1400, might as well put in 400 more for a much better iem) & decide only on whether I want to spend 650 or stretch my budget to 1800? Will ES18 be a downgrade in SQ coming from an M9, & should I then decide only between the M21, E30 & E10?

Hope I'm making sense. Apologies if I'm not! I seem to be going around in circles, :P. Time for some shut eye, I guess.

Again, thanks!
 
got both ES18 and E10m last week. Es18 costed me 424 from Indiatimes (are now oos) and E10m set me back by 1674 (applying 200 off on buytheprice).

Now im no sound guru, im just a layman at this but I had the same query like u and I trouble #esanthosh over the PM a lot :P

Now that I have both, The E10m are much better hands down, es18 feel cheap and donot have the Mic and Inline controls, for 424 they sound amazing yes but e10m are a different Class, the metal finesse and the bass is just perfect for me, E10m will be a good choice while es18 will be a compromise :)
 
You do make lot of sense. So do not worry about it :)

The broad conclusion is that the ES18 delivers a lot more than what the price tag suggests as far as SQ goes. But it probably lacks the detail of a e10/e30. I say 'probably' because some users have commented that the ES18 is nearly the same as the E10, albeit in a cheaper housing. So how much of a difference is there really? I've read your comparisons, but is the difference in SQ enough to justify the 4x price tag in your opinion?

ES18 may use E10 drivers. But, the fact is it is still at least a tier down in terms of SQ from E10, E30, Brainwavz M1, M2 etc., The context in which I love ES18 is important. It ticks a few boxes right - Price, Bass, Not as congested sound stage, which not many Rs. 500 IEMs do (they get bass quantity right, but not extension and they typically start to sound too congested with busier / complex passages). It is indeed a very good compromise if you want to spend less than 1000, but still need something worthy. I did make a comparison to E10, but ES18 did not even begin to sound like a competition until I used the iPod -> UHA-6S combo. This is what I wrote

"Initially, I thought it was a little inferior to E10. But, with more listening with the iPod -> UHA-6S, I think they will fall more closer to each other (I initially put PL11 at 4.x, ES18 closer to 6.x and E10 closer to 7.x when comparing via Clip+ with ES18 falling slightly behind in clarity and details, but I now think ES18 is a little better than that, at the very least)"

If I had to give SQ scores, I was thinking ES18 was somewhere around 5.X, may be 5.6+, but E10 was 6.7+. With the iPod combo, I thought ES18 was much closer to 6.0 which would make it close the gap a lot more. But then, there's also the fact that it needed iPod -> UHA-6S combo, which costs $400 to achieve this. A more realistic comparison is here. Without any other IEMs to compare (like a M6 / Xears Bullet), I am still struggling to position ES18 exactly. But I do know that it's a cheap IEM that does not bother me at all during long sessions.

Coming to your other queries...

ES18's details do not sound as well-etched as E10/E30 if it makes sense to you. I have read those claims on head-fi about ES18 sounding "exactly like" E10, which is ridiculous. It sounds at least a tier less (if you discount my experience with iPod -> UHA6S), if not more less. I keep saying at least, because in the absence of comparison IEMs, I can only approximate. Coming to the next part of 4X worth, the law of diminishing returns is at fault. For 4X more, you get plenty more ear tips in the same packing with the same pouch. The housing build quality and the cable is a little better. But, for SQ, I can only say it is worth it. You do not get 2X SQ by paying 2X price. For instance, you can get plenty good SQ at $100-150. Going to the $250-400 price range will give you 'better' sound quality, but not necessarily in the proportion of the price difference. It could range from 1.2-1.6X SQ based on which two IEMs you choose to compare. I'd say it's almost the same here. E10 / E30 sound better, no doubt about it, but is that 4X better? Not sure about that. But, if you were to put it differently - is paying more for E10 / E30 worth? I would definitely say yes!

Wrt the M21, while it may not be as bassy as M9, it's much more balanced comparatively. ClieOS over at head-fi has still classed them as bassy, while Joker also comments that the bass is above the baseline. So it seems that it has enough bass. My question is, by terming the mids forward, is it correct to imply that the vocals & guitar will be more prominent when compared to the M9? That's what I gauged from one review on head-fi by someone who's owned both the M9 & M11.

Forward mids means yes - the vocals and guitars would be more prominent in the mix compared to M9. But, Joker mentioned them as "If the M6 is recessed in the mids, the M21 is recessed (or, to put it in more positive terms, laid-back) across the range.", so I am not sure if the mids are forward with the M21.

Coming to the E30, there have been exceedingly +ve reviews all round. Compared to the ES18 & M21, is it a significant jump in SQ? I realize it's a different sound signature, being classed as warm & sweet by ClieOS. But I'm ok with that if it makes me feel "I never thought that even existed on that track!" Also, can it be worn straight down? I haven't tried any which are over the ear, & hence I'm not sure about the comfort.

Over the ear fit is extremely comfortable, especially with the smaller, light-weight housing of E30. I think I may have answered the rest above. If not, feel free to shoot more questions. As for 'I never thought that existed on the track', it all comes down to what an IEM is capable of highlighting and the manner of presentation. Considering the difference in presentation (based on the vague little recollection of M6's sound), it is possible.

The ES18=650; M21=1400; E30=1800; E10m=2000 - So in this context, should I skip the M21 altogether (i.e. if you're spending 1400, might as well put in 400 more for a much better iem) & decide only on whether I want to spend 650 or stretch my budget to 1800? Will ES18 be a downgrade in SQ coming from an M9, & should I then decide only between the M21, E30 & E10?

I am not sure if ES18 is in a different class compared to M9 - may be in the same tier at best. It may end up being a side-grade. If you want an upgrade, I would say that spending 1800 for E30 or 2K for E10M would be worth it. At that price range, Brainwavz M1 is another contender, but it's signature is different.
 
Imo,the type of Iem you want and the amount you want to spend on it is a mismatch.
Best option would be wait for a good deal to come through,else be ready to spend atleast double your budget.[try your luck at getting from US]
M2 - 3.5k, M6 - 1.5k(out of stock currently everywhere)

p>S: you got a cracker deal for M9,ain't it gonna repeat itself :)
 
got both ES18 and E10m last week. Es18 costed me 424 from Indiatimes (are now oos) and E10m set me back by 1674 (applying 200 off on buytheprice).
Now im no sound guru, im just a layman at this but I had the same query like u and I trouble #esanthosh over the PM a lot :P

Now that I have both, The E10m are much better hands down, es18 feel cheap and donot have the Mic and Inline controls, for 424 they sound amazing yes but e10m are a different Class, the metal finesse and the bass is just perfect for me, E10m will be a good choice while es18 will be a compromise :)

Thanks for your response. So it's clear then that there's quite a difference in SQ between the e10 & es18. Could you please mention the source [phone/dedicated player] as well?
Just out of curiosity, why'd you buy 'em both? Were you dissatisfied with the es18?

ES18 may use E10 drivers. But, the fact is it is still at least a tier down in terms of SQ from E10, E30, Brainwavz M1, M2 etc., The context in which I love ES18 is important. It ticks a few boxes right - Price, Bass, Not as congested sound stage, which not many Rs. 500 IEMs do (they get bass quantity right, but not extension and they typically start to sound too congested with busier / complex passages). It is indeed a very good compromise if you want to spend less than 1000, but still need something worthy. I did make a comparison to E10, but ES18 did not even begin to sound like a competition until I used the iPod -> UHA-6S combo. This is what I wrote

"Initially, I thought it was a little inferior to E10. But, with more listening with the iPod -> UHA-6S, I think they will fall more closer to each other (I initially put PL11 at 4.x, ES18 closer to 6.x and E10 closer to 7.x when comparing via Clip+ with ES18 falling slightly behind in clarity and details, but I now think ES18 is a little better than that, at the very least)"

If I had to give SQ scores, I was thinking ES18 was somewhere around 5.X, may be 5.6+, but E10 was 6.7+. With the iPod combo, I thought ES18 was much closer to 6.0 which would make it close the gap a lot more. But then, there's also the fact that it needed iPod -> UHA-6S combo, which costs $400 to achieve this. A more realistic comparison is here. Without any other IEMs to compare (like a M6 / Xears Bullet), I am still struggling to position ES18 exactly. But I do know that it's a cheap IEM that does not bother me at all during long sessions.

I'm getting a tad confused as to how the source affects the final output. All this while I was under the impression that it is the better iem that requires a better source to be able to perform to its full potential. I deduced therefore that the difference between a good & a better-than-good iem wouldn't be as apparent if the source is a poor one. In the present context, my assumption was that the difference between the es18 & e10 wouldn't be as apparent on a phone [the 5130c-2] as on a dedicated mp3 player.

But have I got this wrong? Is it actually the poorer iem that requires the better source to perform better? Does the better iem perform better, despite the poor source? Would the difference in iems be more apparent since the source is poorer?

Does it make sense spending more on a better iem, given that the source is a phone viz. the 5130c?

Coming to your other queries...

ES18's details do not sound as well-etched as E10/E30 if it makes sense to you. I have read those claims on head-fi about ES18 sounding "exactly like" E10, which is ridiculous. It sounds at least a tier less (if you discount my experience with iPod -> UHA6S), if not more less. I keep saying at least, because in the absence of comparison IEMs, I can only approximate. Coming to the next part of 4X worth, the law of diminishing returns is at fault. For 4X more, you get plenty more ear tips in the same packing with the same pouch. The housing build quality and the cable is a little better. But, for SQ, I can only say it is worth it. You do not get 2X SQ by paying 2X price. For instance, you can get plenty good SQ at $100-150. Going to the $250-400 price range will give you 'better' sound quality, but not necessarily in the proportion of the price difference. It could range from 1.2-1.6X SQ based on which two IEMs you choose to compare. I'd say it's almost the same here. E10 / E30 sound better, no doubt about it, but is that 4X better? Not sure about that. But, if you were to put it differently - is paying more for E10 / E30 worth? I would definitely say yes!

Forward mids means yes - the vocals and guitars would be more prominent in the mix compared to M9. But, Joker mentioned them as "If the M6 is recessed in the mids, the M21 is recessed (or, to put it in more positive terms, laid-back) across the range.", so I am not sure if the mids are forward with the M21.

Over the ear fit is extremely comfortable, especially with the smaller, light-weight housing of E30. I think I may have answered the rest above. If not, feel free to shoot more questions. As for 'I never thought that existed on the track', it all comes down to what an IEM is capable of highlighting and the manner of presentation. Considering the difference in presentation (based on the vague little recollection of M6's sound), it is possible.

Thanks for clarifying the point about there actually being a difference between the es18 & e10/e30. & I totally get your point about the law of diminishing returns & can appreciate it in the current context. But I think I'm still stuck on the impact of the source, & therefore unable to gauge the effect.

Also thanks for clarifying about the mids & the comfort for the over-the-ear design. I was just wondering whether the wire brushing against the ear is/could be an issue.

I am not sure if ES18 is in a different class compared to M9 - may be in the same tier at best. It may end up being a side-grade. If you want an upgrade, I would say that spending 1800 for E30 or 2K for E10M would be worth it. At that price range, Brainwavz M1 is another contender, but it's signature is different.

Frankly, I wasn't really looking for an upgrade to begin with. I just didn't want a downgrade. & so long as any iem is a side-grade, I'd be pretty happy. If the es18 is that iem, I'd be vey happy with it, given the price! Having said that I am playing around with the idea of going for a upgrade once & for all. Will probably need permission from the Mrs, though!

Imo,the type of Iem you want and the amount you want to spend on it is a mismatch.
Best option would be wait for a good deal to come through,else be ready to spend atleast double your budget.[try your luck at getting from US]
M2 - 3.5k, M6 - 1.5k(out of stock currently everywhere)

p>S: you got a cracker deal for M9,ain't it gonna repeat itself :)

Yes, am mulling over that actually. I'm thinking 'Just get the es18 now that it's available at Rs. 420, check how it sounds, & if unsatisfied, save up for better iems.'

What's also happend is that I've been listening to the M9 despite it having changed, & consequently have started feeling that it's fixed itself. The only reason I know that's really not the case is because my ears tire quickly, something that never happened earlier. So given that my brain's fooled me into believing there's no problem, I think any decent iems will sound better now, though they'll seem to lack bass initially.
@Esantosh: 2 other things-

Firstly, thanks for the heads up on the used M2, & adding to the confusion :). (I mean this in the most positive way, of course). So are the M2s in the same tier as the e30/e10 in your opinion, or a tier above?

Secondly, when you say an iem is more detailed (like the e30 is compared to the es18), are you meaning to say that it'll resolve the details on the busier tracks a whole lot better? For instance, an es18/M9 will be able to handle Dream Theater's 6:00 without much trouble, while Creed's Bullets will be a struggle, whereas a e30 would better resolve both. Is that a good way of looking at it? (I'm sure there's a whole lot of tracks busier than Bullets, but that's what immediately came to mind, :))

Thank you all for your replies. Has helped me a great deal. Much obliged.
 
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M2: M2 is IMO, better than E30. I found E30 and M1 to be on par overall i.e., they sound different, but in terms of overall SQ, I won't necessarily say one is better than the other. I do prefer E30 for my tastes, but it's not objectively better. I found M2 to be a little better than M1/E30. In terms of tier, to my ears, I won't say M2 is in a higher tier. But M2 is closer to top of the tier and E30 / M1 are in the middle of the tier. That said, it's all about sound preferences. M2 has a little more mid bass bloat than E30, more forward mid range, but it has a closed in sound stage - yielding in both width and depth to E30 and a little recessed in treble as well. The net effect is E30 would sound more spacious and balanced, while M2 would be more tilted towards bass and warm mids. I think M2 may be more of a departure for you coming from M9 than E30 when it comes to mid range forwardness and sound stage size.

E30 vs ES18: As for E30 vs ES18, did you read the comparison linked in my previous post? That should give you an idea. Yes! E30 would resolve better and has a better sound stage to space out compared to ES18. I normally would promise to try both tracks and update you. But, I am not sure about doing it this weekend :unsure:

The Source Mystery: As for source, UHA-6S as a DAC or as an amp has proved to be very good. It was instrumental in me retaining certain IEMs I otherwise would have put on the block last year. Let's say UHA-6S with it's low output impedance and good power allows the IEM to breath well and show it's potential. I've owned plenty of players in the past like Cowon S9, Fuze v1, iPod Touch 3G, Nanite N2, (still have) Sony E353 along side Clip+. I did not think source or even an amp like iBasso T3 or even Arrow 3G made any difference to my perception of the IEM that greatly. But, I'd say 2StepDance and more so, UHA-6S changed the perception of what difference an amp can make to an IEM. I also find iPod Video 5G to be better than Clip+ when combined with either of these amps.

To answer your doubt, better IEMs improve with better sources. But the difference between any two IEMs usually remains the same across sources or amps. It has remained the 'same' (as in E10 > ES18) in this case too, just that the difference I thought closed in a little. In this case, ES18 allegedly has the same E10 driver inside. Perhaps, UHA-6S is capable of deriving better performance out of the driver through better control compared to players like Clip+? That is the only reason I can think of. That said, may be I should repeat the comparison and see if placebo played any role the first time around ;)
 
M2: M2 is IMO, better than E30. I found E30 and M1 to be on par overall i.e., they sound different, but in terms of overall SQ, I won't necessarily say one is better than the other. I do prefer E30 for my tastes, but it's not objectively better. I found M2 to be a little better than M1/E30. In terms of tier, to my ears, I won't say M2 is in a higher tier. But M2 is closer to top of the tier and E30 / M1 are in the middle of the tier. That said, it's all about sound preferences. M2 has a little more mid bass bloat than E30, more forward mid range, but it has a closed in sound stage - yielding in both width and depth to E30 and a little recessed in treble as well. The net effect is E30 would sound more spacious and balanced, while M2 would be more tilted towards bass and warm mids. I think M2 may be more of a departure for you coming from M9 than E30 when it comes to mid range forwardness and sound stage size.

Thanks for that. Guess I can wait a bit before I pull the trigger on either of these. (Still need my better half's nod though, :p)

On a related note though, would differences between iems such as for eg. the e30 & m2 in regards to the sound signature, be reconciled somewhat by using different ear tips? I don't expect there can be a dramatic difference, but can something like a slight lack of bass for eg, be overcome with different tips?

E30 vs ES18: As for E30 vs ES18, did you read the comparison linked in my previous post? That should give you an idea. Yes! E30 would resolve better and has a better sound stage to space out compared to ES18. I normally would promise to try both tracks and update you. But, I am not sure about doing it this weekend :unsure:

Yes, I did read the comparison & played out the tracks on youtube as well, to get a sense of what you mean.

I kinda needed an idea about what a reviewer means when they say an iem is more detailed. My assumption is that the better resolution will be apparent on busier tracks, say for instance, metal vs hip hop. The links to those songs were meant to indicate what I was driving at, in this regard. You've been way too kind & helpful & I wouldn't want to burden you with an additional task of comparing specific songs. You've gone out of your way to help out, & really, there's no need to do this. So don't bother (unless you like the music, :p).

The Source Mystery: As for source, UHA-6S as a DAC or as an amp has proved to be very good. It was instrumental in me retaining certain IEMs I otherwise would have put on the block last year. Let's say UHA-6S with it's low output impedance and good power allows the IEM to breath well and show it's potential. I've owned plenty of players in the past like Cowon S9, Fuze v1, iPod Touch 3G, Nanite N2, (still have) Sony E353 along side Clip+. I did not think source or even an amp like iBasso T3 or even Arrow 3G made any difference to my perception of the IEM that greatly. But, I'd say 2StepDance and more so, UHA-6S changed the perception of what difference an amp can make to an IEM. I also find iPod Video 5G to be better than Clip+ when combined with either of these amps.

To answer your doubt, better IEMs improve with better sources. But the difference between any two IEMs usually remains the same across sources or amps. It has remained the 'same' (as in E10 > ES18) in this case too, just that the difference I thought closed in a little. In this case, ES18 allegedly has the same E10 driver inside. Perhaps, UHA-6S is capable of deriving better performance out of the driver through better control compared to players like Clip+? That is the only reason I can think of. That said, may be I should repeat the comparison and see if placebo played any role the first time around ;)

Ok, thanks for that. I take it then that I'm not necessarily wasting money by spending more on a better iem, despite the source being a phone. Of course, the experience will be richer with a better source, but differences will still be apparent between iems.

Again, many thanks for your time & for your extremely detailed responses. They are very, very appreciated.

(Think it's about time I dedicated more energy on convincing the missus, than on iem reviews & deals, :p. )
 
On a related note though, would differences between iems such as for eg. the e30 & m2 in regards to the sound signature, be reconciled somewhat by using different ear tips? I don't expect there can be a dramatic difference, but can something like a slight lack of bass for eg, be overcome with different tips?

Simply - No!

Seal is very important. Each person has a different kind of ear canal. Hell! Even my right one is not exactly similar to the left. The most important factor when wearing an IEM is selection of tip for a good seal and depth of insertion. With certain IEMs, which are shallow insertion ones i.e., they rest on the outer ear and cannot be pushed deeper like conventional straight-barrel IEMs, tip selection is even more important. For my ears, I need a bulging tip - may be a tad larger than I wear like "L" instead of "M" - for a proper fit. With straight barrel IEMs, I can push them deep inside the ear easily with over the ear configuration. Also, I find that wearing over the ear is better in my case as wearing straight down typically 'muffles up' the sound somewhat. I am thinking it's due to the shape and angle of my ear canals. But, it comes down to each individual.

That said, can signature differences be reconciled using tips? Same as EQ - you can only work with what you've already got. You cannot take a Michael Bay movie and make it into a Kurosawa movie. You can only improve the narrative using editing / removing straying plot elements etc., Just like movies, adding something that isn't there is extra work, which in the case of IEMs is difficult to do unless the company chooses to re-work the next batch.

Tips and proper seal can, like EQ, adjust the balance - some tips are good at cutting down bass. It's not that mid range suddenly comes out of jail, rather it's like when the big fat ass bass that was obscuring it has been replaced by it's leaner cousin, so we see more of mid range. Some tips do accentuate the upper mid range, so it becomes a bit more energetic or fatiguing based on whatever the base signature and the FR is. Some tips like Comply foams could increase bass, but would cut down upper mid range bump and treble. For a brighter phone, they are a boon, for something that already has not got enough, it's a bane. They also affect the sound stage somewhat. It depends on - IEM's nozzle size, the tip's opening size (wide bore, narrow bore), the FR that the IEM already has and your ears.

So, can M2 by EQ/tips sound like E30? No. That's because of the presentation - whether the sound is "thick" or "thin", sound stage size etc., Factors that are inherent properties which do not change by altering the FR and balance. Also, remember that big fat bass in the foreground and leaner mid range in the background sound 'nice', the result may not actually be nicer when mid range is pushed forward and bass is cut back a little. For some IEMs, it works, for some, it does not. So, this black art of tip rolling and/or EQ-ing is a very interesting exercise, but won't give results every time.

I kinda needed an idea about what a reviewer means when they say an iem is more detailed. My assumption is that the better resolution will be apparent on busier tracks, say for instance, metal vs hip hop.

I don't mind the occasional DT or Creed :). I do have all DT albums in CD, but just don't find them as good as Opeth or PT for my tastes.

In general, "more detail" equals actually "better resolution" and/or "more apparent detail". Some IEMs by virtue of speed / separation / spacing out instruments could bring something out which was always in the recording, even present in other IEMs, but not as 'apparent'. It just never struck you unless you paid very close attention. That is what brings out comments like "I heard details in tracks I have listened over a thousand times before". A fast TWFK like DBA-02 / B2 can resolve and portray tiny little changes that happens in a matter of milliseconds than a slow, dynamic IEM like M2 - which could skip a note or two in the middle. It's like noting changes in temperature between say every hour and every five minutes. The five minute graph would show more variations in between than what a one hour graph could. But, the graph of the one hour reading would be 'smoother'.

In the specific case of ES18 vs E30, I'd say ES18's details are somewhat like a vague, gluey stuff. In an overall sense, you get the 'shape' of it, yet the gluey stuff is not as easy to figure out as solid stuff. That's what I meant by not 'well etched' as E30. I like ES18 despite it's 'fault', because it's not like I want to 'critically listen' every day or am highly confident of taking EX-1000 or FX700 with me when on travel. I don't need the greatest, bestest, sharpest detail (or sound stage or anything else for that matter) out there when I am listening normally - background or otherwise - when I am just listening, but not paying my complete attention to music. It just needs to be - not distracting, not annoying. Tekfusion TW would annoy me by being bright, PL11 would annoy me by it's 3-blob sound stage.

If there's anything unclear, feel free to ask. I would try to answer to the best of my understanding and ability.
 
My Source is an Ipod Touch 5G (without any amp) and an Iphone 4S (My Brother's)

I ordered ES18 from Indiatimes first, then after recommendation of Esanthosh and One local friend I went For E10m and Cancelled my Indiatimes order.
But the stupid people still delivered my product which was on COD and then a greed of comparision as well as the fact that 424 is a really good price for them, as know they are 650, I got them too! :D

Even more Painfully My bro got a sennheiser Mx 270 for me the next day :P Im yet to open them and thinking of selling them for half the price unopened :P
 
A big thank you to all, especially to eSantosh - :hail:.

I'm still not sure which one I'll go in for, but it's sure as hell not because of a lack of knowledge anymore. Rather it's due to not being able to decide on the final budget. My 2.1 computer speakers system has started acting up, as have my better half's earphones! Talk about timing! So you can expect new threads from me soon, :).

Whether I end up buying an es18 or e10 or e30 or any other iem, there's one thing I'll be happiest about - an informed choice. & for that I have you'll to thank.
 
Just to ensure that you remain confused ....

Of late, I've seen numerous recommendations for the GR02 Bass Edition (or the revised GR02 Heavy Bass Edition with 13 tips). And worse for you, they too cost around 2K. There's someone with a similar query as you on Joker's thread, so could be worth keeping tabs on what recommendations people come up with.
 
Sorry if i am hijacking but my doubt might be helpful. I have been using the creative EP-630 for a long time now. I am not sure how they measure up. But i feel as if they do their job well. If anyone will be able to enlighten us about these earphones will be great.
 
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