esanthosh
Herald
I would say that it's a pipe dream to be chasing the "perfect combo of bass, mids and treble". There's no such thing. Every top-tier I've tried has a flaw, but does well in other areas. What I've learned through buying, trying and reviewing many In-ears is that an IEM need not do everything perfectly. The best flat frequency response would turn out to be dry and boring. There are IEMs which are tuned to wow you with their 'accuracy' out of the box, but become boring over the long term. There are others which need you to try them for days before you "get" what they are. Some IEMs are shown to be better just during comparisons, but not as engaging stand-alone (Personally for me, e-Q5 and GR07), some IEMs suck when you compare but as long as you listen to them stand-alone, you are really really happy (SM3). FX700, one of my ultra-favorites would have none of the flat frequency response - it's V-shaped, has excessive bass, recessed mids, not so great vocals.... but, it does things no other IEM does for me. CK10 has a treble spike that could hurt your ears and has no bass quantity next to a FX700, but it does have a great presentation and placement. When I reduced from 46 IEMs to 13 now, I chose to retain the much cheaper Eterna with exaggerated bass, cooler mids and recessed treble over many that had a flat frequency response and were costlier (RE0, RE-ZERO). So, there's no bias for or against 'analytical' IEMs here.
It's closeted thinking that the so-called audiophiles (anyone who can write a description about sound signature) chase after "flat" response. Read head-fi and you'll see many, many bass heads - some using Sony XB500 with ZO v2 for MOAR bass :O. Some are treble heads, some love the mids (hint: Someone here who thinks RE1 is the bestest of the bestest ). Musical tastes define what you like - especially at the top-tier where most IEMs sound better than lower tier IEMs, but each one is tuned very differently.
A good "musical" IEM is DDM-1 which can go as low as $100 in head-fi. It's not that costlier than S4, but clearly a lot better except for the irritating fit issue where S4 scores. Just to be clear - It's not the display of "I am audiophool, therefore my e-Dick is longer than yours" mentality here and I am not saying S4 is "bad" or that branded manufacturers suck (what with Sony EX-1000 being counted among my favorites? Nopes!). It's fine for one to love S4, but what I and Benny wrote is just that - an counter-point so that the opinion gets balanced. Aside, I don't think IEMs below $100 should be equated with paying more for Apple / Bose.
It's closeted thinking that the so-called audiophiles (anyone who can write a description about sound signature) chase after "flat" response. Read head-fi and you'll see many, many bass heads - some using Sony XB500 with ZO v2 for MOAR bass :O. Some are treble heads, some love the mids (hint: Someone here who thinks RE1 is the bestest of the bestest ). Musical tastes define what you like - especially at the top-tier where most IEMs sound better than lower tier IEMs, but each one is tuned very differently.
A good "musical" IEM is DDM-1 which can go as low as $100 in head-fi. It's not that costlier than S4, but clearly a lot better except for the irritating fit issue where S4 scores. Just to be clear - It's not the display of "I am audiophool, therefore my e-Dick is longer than yours" mentality here and I am not saying S4 is "bad" or that branded manufacturers suck (what with Sony EX-1000 being counted among my favorites? Nopes!). It's fine for one to love S4, but what I and Benny wrote is just that - an counter-point so that the opinion gets balanced. Aside, I don't think IEMs below $100 should be equated with paying more for Apple / Bose.