^ Thanks
RE-262 vs e-Q5
Introduction
I wanted to compare these two for sometime now. On paper, both are top-tier IEMs with a mid range focus, but without sacrificing bass and treble completely. But, that's where similarities end. Actually, there's one more, but that's a few paras down.
Build Quality:
While RE-262's cable looks like a rope compared to the 252's pathetic cable, it's simply no match for the thicker e-Q5 cable. But, RE-262's cable from Y-Split to the drivers is a bit more thicker compared to that of e-Q5. The beefed up Y-Split on the e-Q5 almost looks ominous compared to the usual Hifiman Y-Split. e-Q5 does not have a strain relief into the shells, whereas 262 has a decent strain relief there, but that's hardly an advantage given the better quality construction of the e-Q5. The Hifiman has the right angled plug compared to the better strain relieved straight plug of the e-Q5. Oh! e-Q5 does not have a chin slider and 262 has a useless one, so they are about equal there.
When it comes to the looks department, it looks like a contest between the beauty (of e-Q5) and the beast (of 262). There's no way those gorgeous metal shells of e-Q5 can be rivaled by the plastic shells of 262.
{Photos?}
Test Setup
Clip+ #1 (Vol: -27, No EQ) -> e-Q5
Clip+ #2 (Vol: 0, EQ as mentioned in first post) -> iBasso T3 (No gain, Vol: 5) -> RE-262
Song list: Same as the one used for RE-262 vs RE-252 and then some random listening for comparison.
Sound Quality:
Before I started this comparison, I expected 262 to win comprehensively. When I wrote the e-Q5 impressions, I did not have the 262 to compare and when I wrote 262's, my e-Q5s were on a small tour. From memory, I thought that 262 had no equal, but it turns out that the actual ground reality is not so.
When it comes to
bass, both are similar. They are slightly on the softer side and do not extend deep enough to produce rumbles. e-Q5's bass has some texture, but has a long decay. It matters when listening to genres that require a quick decay and impact. RE-262 has a better texture, quantity and faster decay. When I tried out e-Q5 with Clip+ #2 (T3 Vol around 1), Mids improved a bit, but bass got a little muddy. So, I did the rest of the comparison with the test setup mentioned above.
Mids is where it gets really interesting. e-Q5's mids are well forward, but when A/B-ing don't appear that forward when compared to RE-262. e-Q5 has a thinner note bordering on crispness I usually want from my mids. In comparison, RE-262's notes are a little hefty and hearty, but are not at the level where I'd call them thick (SM3 is thick, for example). Due to the thinner, slightly crisper notes, details are easily gleaned from e-Q5 when compared to the smoothened RE-262. e-Q5 also has a slightly better
timbre, slightly warmer, a bit more lush. With
Vocals, RE-262 is surprisingly smooth, glossing over vocal sibilance in the recordings. e-Q5 is not that forgiving though. It is not sibilant, but if the recording had vocal sibilance in them, you'll be made to know, a case of better transparency. I'd say I would happy with either in technical terms.
Treble is where I was surprised. RE-262 has a laid-back, but detailed treble. But when compared to e-Q5's crisper, more forward treble, 262 does appear a little fluffy. They both have sparkle when needed, but not at the level brighter IEMs like RE0, DBA-02 or even RE-252 do. e-Q5's perceived forwardness has more to do with the lack of depth, making the treble more intimate than the slightly distant 262. Relatively speaking, e-Q5 has better balance of treble with mids than RE-262. Both won't satisfy a treble-head, but I'd put e-Q5 ahead.
Coming to the
Sound stage and presentation, RE-262 takes the lead again. e-Q5 has a slightly wider than normal sound stage, but it's not as wide as the at times out of ear 262 tends to be. Sound stage height is one area where e-Q5 can hold it's own. While RE-262 can be very slightly above the head sometimes, e-Q5 uses the height of sound stage far more than most other IEMs. But this is where it loses out too. e-Q5 uses the height more to compensate for the lack of depth, where 262 wins hands down.
When it comes to
imaging, again e-Q5 does put up a fight. It is more airy than the RE-262. Even with the limited space to work with, in comparison to RE-262, e-Q5 does imaging well enough to make it free from congestion in complex passages. It does lack the clean, ethereal positioning of 262, but that is to be expected.
When it comes to the
engagement aspect, probably the most important one, (technicalities apart,) RE-262 wins easily. The laid back treble does not take the focus away from the smooth mids and bass is in a better supporting role. e-Q5 on it's own can be engaging, but it does not have any special qualities that make IEMs like Hippo VB (Sub-bass), FX700 (timbre, open sound stage), TF10 (quick, detailed and fun) stand out in our memory. If I were to
characterize both these IEMs based on this listening session alone, I'd say RE-262 is the colored, smoother, musical, mid-focused IEM whereas e-Q5 is the balanced IEM with a very slight tilt towards brightness.
Conclusion
It's a fair fight. But, I found 262 a little more easier on the ears for longer sessions. There are times in this comparison when I started to listen to RE-262, but forgot to switch over to my other Clip+ with e-Q5.
e-Q5 Pros over 262:
- Build quality and Looks
- Timbre
- Slightly crisper and detailed in the mids
- Treble (slightly)
- Easier to drive. Good for low volume listening.
RE-262 over e-Q5:
- Faster decaying bass with better quantity
- Smoothness with no sibilance in Vocals
- Imaging, Sound stage
- More engaging for longer sessions