Hmmm....interesting :devil:
O, where to start?
Appreciation of Sound Quality
Sound has various properties, depending on which it appears good or bad to listeners. Now I'm by no means an expert of this (in fact most of what I going tto say I've learned only thru reading, not hearing :ashamed
.
First, there's the Timbre of the music, which refers to the naturalness of the sound. i.e., a piano should sound like a real piano.
Then, theres speed - this refers to how fast the speaker responds to a fast changing input signal. ( A fast speaker doesn't mean it'll play a 200hz note at 150hz
)
Then, there's dynamics. This is the difference in levels between the loudest and softest sounds. It takes a really great speaker to be able to reproduce a single violin and a 100-man orchestra equally well.
After this, speakers are usually evaluated as to how they handle the highs, mids and lows. Almost all entry level (read affordable) speakers have to trade-off somewhere. Hence some speakers will have velvety highs but boomy bass. Some will have tight bass but muddy mids, etc.
Audiophiles have coined numerous terms to describe the sound of speakers, like airy, laid back, warm, lush, transparent, etc......
Now for the fun part
All the above can refer to a single speaker or 10 :tongue: Sound 'Quality' has nothing to do with number of speakers. Why speakers moved from mono to stereo to multichannel - is simply for two things; Soundstaging and Imaging.
These terms, in a nutshell, refer to the ability of a speaker to create a 3d holographic model of the music event, which depending on the recording, would either take you to the musicians, or bring the musicians to you. With properly recorded tracks, and on properly setup speakers, all musicians would magically seem to appear in front of you. If you close your eyes, you would almost "see" the lead singer in front, the lead guitarist on your right, the bassist to you left, and the drummer at the back.
It is as if a window has opened in your room which leads directly to the stage. Your system and the setup would determine the width, height and depth of this window.
But with stereo (and with trifield), a window is all you get. This is where multichannel tries to cash in. Instead of bringing the musicians to you, it takes you to them! However, common sense would tell you that since 80% of the world's music has been recorded for stereo, there simply is no surround info present. It depends on the sound engineer now to conjure up a palatable surround mix, and from the reviews I've read, most have failed badly
Bahh....I'm sleepy now.
Will be continued if required.....