I don't disagree with a word you said, Benny!
bennysachdev said:
After a certain point, in terms of SQ all Iems are good
That's why I have a tier system too. Every IEM within a tier is just about equal - variations are generally in what gets highlighted / emphasized and what's not in the signature and presentation! Again that too is subject to my personal, biased and subjective opinion. So, YMMV applies to everything I say!
bennysachdev said:
The trick is to buy the iem which suits ur music taste at a point of time at the best price you can find, or get the iem for which ur getting the best price at that time and then later trade it for something else when you know there's something better out there.
I am not after the "BEST", because such a thing does not exist - there can always be something subjectively "better" (like W4 > SM3, EX-1000 > FX700) and I cannot chase a moving target.
I get bored easily even with the IEMs I consider to be among the best, so all I need and look for is variety. In other words, I chase after something "different" all the time. Therein lies the difference. As long as an IEM can add something different / special / unique, I buy it....and that's why there can be no end to the search other than an empty wallet or loss of hearing ability or me completely losing interest in IEMs.
bennysachdev said:
Dude, there is no real ranking of Iems. It's all about which iem you come from. After listening to the Sm3 for a few months now I find the tf10 treble oriented Iems.
Its like if you give a ck10 user who listens to pop music a sm3, he'll probably hate it. And if you give a sm3 user who is a trance listener something like a EQ-5/7 he'll be like, where did the bass go??
But then in my case, it does not exactly depend on where I am coming from or where I am going as that keeps changing all the time. I can listen to CK10, FX700 and Eterna all in a day and like all of them. A person will get disappointed only because he is used to a certain signature or pattern - say knowing that this requires certain quantity / extension in bass, you can never be satisfied with something that has less bass. I don't keep such expectations. As I've said a few times in a different wording - IEMs are like colored glasses to the music. I don't say I require this or that color and try to just see what that IEM brings to the table when I play music. As long as there's a certain basic quality to the sound, I don't attach utmost importance to anything - dark / bright, bassy / non-bassy, treble heavy / muted treble, wide sound stage / cramped sound stage etc., I am crazy, I know!
That's not my point, at least not what I was trying to say. When I got the e-Q5, I had too many expectations and hence got disappointed. After sometime, when your guard drops and you don't expect as much, you feel that the IEM has 'become better', which actually means that your perception and expectations have changed (or sometimes even the right pairing / mood / genre). This is what is generally attributed to 'burn-in' effect. I did "burn-in" e-Q5 for 100 hours, but that did not do it for me. Keeping it idle on the shelf and then using it out of the blue did